 Genius Lyrics
|
|
J Dilla – Workinonit
|
|
With one of the most memorable beats on the album, Dilla uses choppy samples to create a smooth sound scape at a perfect opening track to his last record created while alive
|
|
|
J Dilla – Workinonit Samples
|
|
See all of “Workinonit” by J Dilla’s samples, covers, remixes, interpolations and live versions
|
|
|
J Dilla – Workinonit Samples
|
|
See all of “Workinonit” by J Dilla’s samples
|
|
Skillz – Six Figures Samples
|
|
See all of “Six Figures” by Skillz’s samples
|
|
Charles Sherrell – Yes It's You Samples
|
|
See all of “Yes It's You” by Charles Sherrell’s samples
|
|
10cc – The Worst Band in the World Samples
|
|
See all of “The Worst Band in the World” by 10cc’s samples, covers, remixes, interpolations and live versions
|
|
Charles Hamilton – (Do) Break Ups Samples
|
|
See all of “(Do) Break Ups” by Charles Hamilton’s samples, covers, remixes, interpolations and live versions
|
|
Genius Dream Album (Ft. KUZGUN) – Dream Album: Nas by KUZGUN
|
|
Artist: Nas / Album Title: Nasty / Exec. Producers: N. Jones, A. Saleh, S. Remi, & C. Martin / 1. Queensbridge (feat. Mobb Deep) / (N. Jones, K. Muchita, A. Johnson) / Produced by
|
|
|
J Dilla – Walkinonit
|
|
In one of the many examples of mirroring and progression on the album, the title alludes to the earlier, similarly titled track “Workinonit.” However, unlike the earlier upbeat
|
|
Malcolm McLaren & The World's Famous Supreme Team – Buffalo Gals Samples
|
|
See all of “Buffalo Gals” by Malcolm McLaren & The World's Famous Supreme Team’s samples
|
|
|
J Dilla – One Eleven
|
|
This song clocks in at 1:11 in length, hence the name One Eleven.
|
|
Beastie Boys – The New Style Samples
|
|
See all of “The New Style” by Beastie Boys’s samples
|
|
|
J Dilla – Gobstopper
|
|
The instrumental basically speaks for itself. The two things that can be noted here is that Nas and Jay Electronica used this instrumental.
Nas – The Season
Jay Electronica
|
|
|
J Dilla – Two Can Win
|
|
[Produced by J Dilla] / [Intro] / Only one can win / Ooh only / Only one can win / Only one can win / Ooh only / [Verse] / Can win, only one can win your love / Ohoo / One can win
|
|
|
J Dilla – The Factory
|
|
[Produced by J Dilla] / ..This ungodly hour? / ...Is a factory / It can hurt / It can hurt / Hold your hand out / Give a shout / ...Free
|
|
|
J Dilla – Waves
|
|
J Dilla’s final message to his younger brother, John “Illa J” Yancey.
This is the second track on the album to feature extensive sampling from 10cc, following the previous song “
|
|
|
J Dilla – Lightworks
|
|
J Dilla’s “Lightworks” mainly samples a Raymond Scott track with the same name.
https://www.youtube.com/watch?v=rWbzAa_c1VY
J Dilla’s rendition of the track was described by his
|
|
|
J Dilla – Don't Cry
|
|
In a 2012 XXL interview, Questlove, a close friend and collaborator of Dilla’s, said “Don’t Cry” was a message to his mother.
|
|
|
J Dilla – Stop!
|
|
[Produced by J Dilla] / [Jadakiss sample] / *Laugh* / It's dat real / [Dionne Warwick sample] / Mmm, you're gonna want me back in your arms / You're gonna need me, one day / Mmm
|
|
|
J Dilla – Glazed
|
|
One of the handful of tracks on the record that actually refer to donuts, “Glazed” is a dynamic instrumental track that is a companion piece of sorts to “Mash” in that both feature
|
|
|
J Dilla – The Diff'rence
|
|
[Produced by J Dilla] / The fruit man / The fruit man / The fruit man / The fruit man / You will see the diff'rence / The diff'rence / Come on / The diff'rence / The diff'rence
|
|
|
J Dilla – Glazed
|
|
One of the handful of tracks on the record that actually refer to donuts, “Glazed” is a dynamic instrumental track that is a companion piece of sorts to “Mash” in that both feature
|
|
|
J Dilla – The New
|
|
[Produced by J Dilla] / [Beastie Boys Sample] / And on the cool check in / Center stage on the mic / And we're puttin' it on wax / It's the new... / It's the new / It's the new
|
|
|
J Dilla – Light My Fire
|
|
[Produced by J. Dilla] / [Intro] / Yea, yea, yea, yea, yea / [Chorus] / Come on baby, light my fire / (Light my fire now baby) / Come on baby, light my fire / (Light my fire baby
|
|
|
J Dilla – Stepson of the Clapper
|
|
This song primarily features a sample from Mountain’s “Long Red,” one of the most sampled drum beats in history. However, unlike most other tracks that simply keep the beginning
|
|
|
J Dilla – The Twister (Huh, What)
|
|
[Produced by J Dilla] / Would you join me please in welcoming / The Tempt... / Long before I knew / Someone warm like you / Huh, what / Huh, what
|
|
|
J Dilla – Airworks
|
|
[Produced by J Dilla] / I don't really care / I never never needed..
|
|
|
J Dilla – People
|
|
[Produced by J Dilla] / People! / People, the time has come / Alright / Say it say it say it / My people...Hold on / My people / My people... Hold on / Say it say it say it / My
|
|
|
J Dilla – Bye.
|
|
Another message is getting across: he’s leaving.
While this doesn’t sound true and rather more disrespectful, it isn’t. Donuts is a deep album, even though it is a beat tape. In
|
|
J Dilla – Anti-American Graffiti
|
|
My family tree, my family, it's my history, my family / My family tree, my family, it's my history / Ah! Ah! / What's up... he-hey baby! / Have mercy, have mercy, you bet your life
|
|
|
J Dilla – One for Ghost
|
|
The title “One for Ghost” is directed at Ghostface Killah of Wu-Tang Clan. J Dilla made this song just for him and this sample appears on Ghost’s track “Whip You With a Strap” from
|
|
|
J Dilla – Dilla Says Go
|
|
“Dilla Says Go” is built around a few samples. J Dilla primarily lifted the instrumental from The Trammps‘ 1972 track “Rubber Band,” and looped snippets of the vocals to give this
|
|
|
J Dilla – Donuts (Outro)
|
|
This track opens Donuts and already introduces the major thematic concern of the record: Dilla himself. Donuts is a highly autobiographical work, and a meditation on life itself as
|
|
|
J Dilla – Mash
|
|
The bulk of J Dilla’s “Mash” consists of two primary samples: a looped, tuned-down piano sample of Galt MacDermot’s “Golden Apple” and vocals from Frank Zappa’s “Dance Contest”. In
|
|
|
J Dilla – Hi.
|
|
[Produced by J Dilla] / ...Standing at the bus stop and I hear a voice behind me say / "Hi, baby" / Aw, I just fell all apart inside / Because I hadn't heard that voice in such a
|
|
|
J Dilla – Time: The Donut of the Heart
|
|
Timeless track from the late great J Dilla.
Black Thought used this beat for the track “Can’t Stop This,” a tribute song to James Yancey on The Roots’ album Game Theory (Def Jam
|
|
|
J Dilla – Welcome to the Show
|
|
On some editions this track is titled “Donuts (Intro).” In both that case and when it is called “Welcome to the Show,” the irony of its title and purpose is immediately apparent
|
|
|
J Dilla – U-Love
|
|
Just because I really love you / Just because I really love you / Love you / Love you / I love you / I love you / I love you / I love you / I love you / I love you, baby / Really
|
|
|
J Dilla – Last Donut of the Night
|
|
Second to last beat off of Donuts. Dilla’s label, Stones Throw Records put out a beautifully made music video to accompany this, and for further meaning on that (the music video is
|
|
Dwele – Workin' on It
|
|
U know [ u know] / Ur my baby, i only act shady / But it's time to cut an hour / Girl / And u know i'm (workin on it) / I said i'm (workin on it) / U know (workin on it) / And i
|
